The Drug Fiend and Frank Harris
What follows is Aleister Crowley's lightly disguised account of an infamous encounter between Frank Harris and Alfred Douglas at the Café Royale, taken from his novel Diary of a Drug Fiend, annotated with the actual identities of the characters - sourced from Crowley's own marginal notes in a copy of his book. The episode is recounted in the first person by the Crowley character, Peter Pendragon.
I went into the café and sat down at one of the marble tables. I had a momentary thrill of joy - it reminded me of France so much - of all those days of ferocious gambling with Death.
I couldn't see a soul I knew. But at least I knew by sight the two men at the next table. Every one knew that gray ferocious wolf-man built in every line for battle, and yet with a forehead which lifted him clean out of the turmoil. The conflicting elements in his nature had played the devil with him. Jack Fordham [Frank Harris] was his name. At sixty years of age he was still the most savage and implacable of publicists. " Red in tooth and claw," as Tennyson said. Yet the man had found time to write great literature ; and his rough and tumble with the world had not degraded his thought or spoilt his style.
Sitting next him was a weak, good-natured, working journalist named Vernon Gibbs [Herbert Vivian]. He wrote practically the whole of a weekly paper - had done, year after year with the versatility of a practised pen and the mechanical perseverance of an instrument which has been worn by practice into perfect easiness.
Yet the man had a mind for all that. Some instinct told him that he had been meant for better things. The result had been that he had steadily become a heavier and heavier drinker.
I learnt at the hospital that seventy-five per cent. of the human body is composed of water ; but in this case, as in the old song, it must have been that he was a relation of the McPherson who had a son,
"That married Noah's daughter
And nearly spoilt the flood
By drinking all the water.
And this he would have done,
I really do believe it,
But had that mixture been
Three parts or more Glen Livet."
The slight figure of a young-old man ['Earl of Bumble': Alfred Douglas] with a bulbous nose to detract from his otherwise remarkable beauty, spoilt though it was by years of insane passions, came into the café. His cold blue eyes were shifty and malicious. One got the impression of some filthy creature of the darkness - a raider from another world looking about him for something to despoil. At his heels lumbered his jackal [T W H Crosland], a huge, bloated, verminous creature like a cockroach, in shabby black clothes, ill-fitting, unbrushed and stained, his linen dirty, his face bloated and pimpled, a horrible evil leer on his dripping mouth, with its furniture like a bombed graveyard.
The café sizzled as the men entered. They were notorious, if nothing else, and the leader was the Earl of Bumble. Every one seemed to scent some mischief in the air. The earl came up to the table next to mine, and stopped deliberately short. A sneer passed across his lips. He pointed to the two men.
" Drunken Bardolph and Ancient Pistol," he said, with his nose twitching with anger.
Jack Fordham was not behindhand with the repartee.
" Well roared, Bottom," he replied calmly, as pat as if the whole scene had been rebearsed beforehand.
A dangerous look came into the eyes of the insane earl. He took a pace backwards and raised his stick. But Fordham, old campaigner that he was, had anticipated the gesture. He had been to the Western States in his youth ; and what he did not know about scrapping was not worth being known. In particular, he was very much alive to the fact that an unarmed man sitting behind a fixed table has no chance against a man with a stick in the open.
He slipped out like a cat. Before Bumble could bring down his cane, the old man had dived under his guard and taken the lunatic by the throat.
There was no sort of a fight. The veteran shook his opponent like a bull-dog; and, shifting his grip, flung him to the ground with one tremendous throw. In less than two seconds the affair was over. Fordham was kneeling on the chest of the defeated bully, who whined and gasped and cried for mercy, and told the man twenty years his senior, whom he had deliberately provoked into the fight, that he mustn't hurt him because they were such old friends !
The behaviour of a crowd in affairs of this kind always seems to me very singular. Every one, or nearly every one, seems to start to interfere ; and nobody actually does so.
But this matter threatened to prove more serious. The old man had really lost his temper. It was odds that he would choke the life out of the cur under his knee.
I had just enough presence of mind to make way for the head waiter [M Blot, for many years maitre d'hotel at Cafe Royale], a jolly, burly Frenchman, who came pushing into the circle. I even lent him a hand to pull Fordham off the prostrate form of his antagonist.
A touch was enough. The old man recovered his temper in a second, and calmly went back to his table with no more sign of excitement than shouting " sixty to forty, sixty to forty." [The ages of Harris and Douglas respectively].
" I'm on," cried the voice of a man who had just come in at the end of the café and missed the scene by a minute. " But what's the horse ? "
I heard the words as a man in a dream ; for my attention had suddenly been distracted.
Bumble had made no attempt to get up. He lay there whimpering. I raised my eyes from so disgusting a sight, and found them fixed by two enormous orbs. I did not know at the first moment even that they were eyes. It's a funny thing to say ; but the first impression was that they were one of those thoughts that come to one from nowhere when one is flying at ten thousand feet or so. Awfully queer thing, I tell you - reminds one of the atmospherics that one gets in wireless; and they give one a horrible feeling. It is a sort of sinister warning that there is some person or some thing in the Universe outside oneself: and the realisation of that is as frankly frightening as the other realisation, that one is eternally alone, is horrible.
I slipped out of time altogether into eternity. I felt myself in the presence of some tremendous influence for good or evil. I felt as though I had been born - I don't know whether you know what I mean. I can't help it, but I can't put it any different.
It's like this : nothing had ever happened to me in my life before. You know how it is when you come out of ether or nitrous-oxide at the dentist's - you come back to somewhere, a familiar somewhere; but the place from which you have come is nowhere, and yet you have been there.
That is what happened to me.
I woke up from eternity, from infinity, from a state of mind enormously more vital and conscious than anything we know of otherwise, although one can't give it a name, to discover that this nameless thought of nothingness was in reality two black vast spheres in which I saw myself. I had a thought of some vision in a story of the middle ages about a wizard, and slowly, slowly, I slid up out of the deep to recognise that these two spheres were just two eyes. And then it occurred to me - the thought was in the nature of a particularly absurd and ridiculous joke - that these two eyes belonged to a girl's face.
Across the moaning body of the blackmailer, I was looking at the face of a girl that I had never seen before. And I said to myself, "Well, that's all right, I've known you all my life." And when I said to myself " my life," I didn't in the least mean my life as Peter Pendragon, I didn't even mean a life extending through the centuries, I meant a different kind of life - something with which centuries have nothing whatever to do.
And then Peter Pendragon came wholly back to himself with a start, and wondered whether he had not perhaps looked a little rudely at what his common sense assured him was quite an ordinary and not a particularly attractive girl.
My mind was immediately troubled. I went hastily back to my table. And then it seemed to me as if it were hours while the waiters were persuading the earl to his feet.
I sipped my drink automatically. When I looked up the girl had disappeared.
It is a trivial observation enough which I am going to make. I hope at least it will help to clear any one's mind of any idea that I may be an abnormal man.
As a matter of fact, every man is ultimately abnormal, because he is unique. But we can class man in a few series without bothering ourselves much about what each one of them is in himself.
I hope, then, that it will be clearly understood that I am very much like a hundred thousand other young men of my age. I also make the remark, because the essential bearing of it is practically the whole story of this book. And the remark is this, after that great flourish of trumpets: although I was personally entirely uninterested in what I had witnessed, the depression had vanished from my mind. As the French say,
" Un clou chasse l'autre."
I have learnt since then that certain races, particularly the Japanese, have made a definite science starting from this fact. For example, they clap their hands four times " in order to drive away evil spirits." That is, of course, only a figure of speech. What they really do is this : the physical gesture startles the mind out of its lethargy, so that the idea which has been troubling it is replaced by a new one. They have various dodges for securing a new one and making sure that the new one shall be pleasant. More of this later.
What happened is that at this moment my mind was seized with sharp, black anger, entirely objectless. I had at the time not the faintest inkling as to its nature, but there it was. The café was intolerable - like a pest-house. I threw a coin on the table, and was astonished to notice that it rolled off. I went out as if the devil were at my heels.
I remember practically nothing of the next half-hour. I felt a kind of forlorn sense of being lost in a world of incredibly stupid and malicious dwarfs.
I found myself in Piccadilly quite suddenly. A voice purred in my ear, " Good old Peter, good old sport, awfully glad I met you - we'll make a night of it."
The speaker was a handsome Welshman still in his prime [Augustus John]. Some people thought him one of the best sculptors living. He had, in fact, a following of disciples which I can only qualify as " almost unpleasantly so. "
He had no use for humanity at the bottom of his heart, except as convenient shapes which he might model. He was bored and disgusted to find them pretending to be alive. The annoyance had grown until he had got into the habit of drinking a good deal more and a good deal more often than a lesser man might have needed. He was a much bigger man than I was physically, and he took me by the arm almost as if he had been taking me into custody. He poured into my ear an interminable series of rambling reminiscences, each of which appeared to him incredibly mirthful.
For about half a minute I resented him; then I let myself go and found myself soothed almost to slumber by the flow of his talk. A wonderful man, like an imbecile child nine-tenths of the time, and yet, at the back of it all, one somehow saw the deep night of his mind suffused with faint sparks of his genius.
I had not the slightest idea where he was taking me I did not care. I had gone to sleep, inside. I woke to find myself sitting in the café Wisteria once more.
The head waiter was excitedly explaining to my companion what a wonderful scene he had missed.
" Mr. Fordham, he nearly kill' ze Lord," he bubbled, wringing his fat hands. " He nearly kill' ze Lord."
Something in the speech tickled my sense of irreverence. I broke into a high-pitched shout of laughter.
" Rotten," said my companion. " Rotten ! That fellow Fordham never seems to make a clean job of it anyhow. Say, look here, this is my night out. You go 'way like a good boy, tell all those boys and girls come and have dinner."
There are many more portrayals of Frank Harris in different forms.